Brian Kane

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Brian Kane

Amorphic Robot Works, Muffattehalle, 2000

Amorphic Robot Works, Muffattehalle, 2000 | Brian Kane

Installation shot of Amorphic Robot Works at Muffattehalle, Munich, Germany, 2000

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  • Amorphic Robot Works, Muffattehalle, 2000 | Brian Kane
  • Amorphic Robot Works, Muffattehalle, 2000 | Brian Kane
  • Amorphic Robot Works, Muffattehalle, 2000 | Brian Kane
  • Amorphic Robot Works, Muffattehalle, 2000 | Brian Kane
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Lake Heron, New Mexico, 1996

Lake Heron, New Mexico, 1996 | Brian Kane
Lake Heron, New Mexico, 1996

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  • Lake Heron, New Mexico, 1996 | Brian Kane
  • Lake Heron, New Mexico, 1996 | Brian Kane
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Haleakala, 1996

Haleakala, 1996 | Brian Kane
Sunrise atop Mt. Haleakala, 1996

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  • Haleakala, 1996 | Brian Kane
  • Haleakala, 1996 | Brian Kane
  • Haleakala, 1996 | Brian Kane
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RadioValve, 1998

RadioValve, 1998 | Brian Kane

Dev, E23, and Stacy spinning live at the orginal RadioValve HQ. Boulder, Colorado, 1998

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  • RadioValve, 1998 | Brian Kane
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  • RadioValve, 1998 | Brian Kane
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RadioValve, 2000

RadioValve, 2000 | Brian Kane

E23 and friend multitasking at RadioValve global headquarters, 2000

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Observatory, Haleakala, 1996

Observatory, Haleakala, 1996 | Brian Kane

Observatory, Mt. Haleakala, Hawaii 1996

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  • Observatory, Haleakala, 1996 | Brian Kane
  • Observatory, Haleakala, 1996 | Brian Kane
  • Observatory, Haleakala, 1996 | Brian Kane
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Tacheles, Berlin, 1996

Tacheles, Berlin, 1996 | Brian Kane

From an Amorphic Robot Works show at Tacheles, in Berlin. 1996

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  • Tacheles, Berlin, 1996 | Brian Kane
  • Tacheles, Berlin, 1996 | Brian Kane
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Very Large Array

Very Large Array | Brian Kane

Very Large Array, New Mexico, 1996

Quicktime VR of this image is here

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Ground Zero

Ground Zero | Brian Kane
Trinity Test Site, White Sands, New Mexico, 1997

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Computer Hell

Computer Hell | Brian Kane

And may you never go there Computer Hell | Brian Kane

This is a picture from 1996, while programming the SDM (Super Dog Monkey) to walk for the Amorphic Robot Works show at The Lab in San Francisco. Plenty of cables for sure.

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Baby Grand Master

Baby Grand Master | Brian Kane

Baby Grand Master. The King of Video Instruments.

created by Gardner Post.

photography by Till Krautkraemer.

Website coming soon …

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Genius

Genius | Brian Kane

I love this.

Not mine. Created by my friend Mark Blank. See http://www.surfinguitars.com/

I’d like to make a large permanent flat screen display with this image. Now thats art.

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MassMoca 2002

MassMoca 2002 | Brian Kane

Two images from my May 2002 performance at MassMoca.

If you have never been there, I highly recommend the trip to MassMoca in western Massachusetts. It is one of the best art museums in the country, and it has a massive exhibition hall where they can bring in some of the best monumental scale contemporary art.

MassMoca 2002 | Brian Kane

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Phillips Andover 1988

Phillips Andover 1988 | Brian Kane

In 1988 I exhibited some work at Phillips Academy, Andover. This is one of the few images I have from that show. Included in that show were a variety of computer graphics as well paintings and sculptures.

The object in the foreground is a cattle brand in the shape of the McDonald’s logo. I always liked that piece Phillips Andover 1988 | Brian Kane

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Risd Tap Room Mural, 1987

Risd Tap Room Mural, 1987 | Brian Kane

In the spring of 1987, a group of friends and i created a mural for the RISD Tap Room. This was entirely created with spraypaint and stencil.

I don’t remember everyone who worked on this, but I do remember that Alexandra Rohleder, Nicole Eisenman, Josh Pearson and Ben Carlson were involved.

This was a beautiful piece, and it remained up for 17 years. I believe that the school left a piece of it remaining when they refinished the tap room 2 years ago.

Good for the soul, bad for the lungs.

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  • Risd Tap Room Mural, 1987 | Brian Kane
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Terminator Boxed Set, 1992

Terminator Boxed Set, 1992 | Brian Kane

Terminator Collection boxed set hologram I designed for Live Entertainment in 1992.

More holograms

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  • Terminator Boxed Set, 1992 | Brian Kane
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Fallen Angels, 1995

Fallen Angels, 1995 | Brian Kane
Silly image from a series of posters, pads, and cards which I created for Portal Publications in 1995. I always liked this image. This was a good seller, too.

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Amorphic Robot Works (ARW), Madrid 1996

Amorphic Robot Works (ARW), Madrid 1996 | Brian KaneAmorphic Robot Works (ARW), Madrid 1996 | Brian KaneAmorphic Robot Works (ARW), Madrid 1996 | Brian Kane

From the 1996 Amoprhic Robot Works shows at the Circulo de las Bellas Artes in Madrid, Spain.

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  • Amorphic Robot Works (ARW), Madrid 1996 | Brian Kane
  • Amorphic Robot Works (ARW), Madrid 1996 | Brian Kane
  • Amorphic Robot Works (ARW), Madrid 1996 | Brian Kane
  • Amorphic Robot Works (ARW), Madrid 1996 | Brian Kane
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Straight outta’ kinkos

Straight outta kinkos | Brian Kane
Found in the moldy old noteboks from the 80′s. Here’s a sketch I did one day for a kid’s toy concept. Rikki Rikki Rapp’r.

Idea was to have a physical scratching device inside a bright colored plastic housing – kid safe 2 years old and up. Sort of like the way we used to put baseball cards on our bike wheels to make a clicking sound. There’s a dirth of “hip hop” toys out there now, but this seemed pretty silly back in 1988. Now it’s mainstream.

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HDATM

HDATM | Brian Kane
HDATM – It’s filled with cash!

Superb vision in an elegant, contemporary design.

Have you been using an old-fashioned analog ATM all these years? Then you are in for a surprise. The widescreen HDATM is as good as banking technology gets. High-definition ATM’s have far more pixels than older ATM’s. You get a crisp, detailed image. It’s unlike any ATM you have seen before.

The widescreen HDATM has a higher aspect ratio than analog ATM’s of the past. It is so much easier to make financial transactions this way. And the aspect ratio of a widescreen HDATM closely matches the viewing angle of the human eye. Funds will look more real and natural. You will be able to immerse yourself totally in the banking experience. Quick action and realistic viewing angles put you in the bank. Every corner of the screen is filled with cash. And the picture will not blur due to fast movement, like on ATM’s of the past. It’s all crystal clear with HDATM.

Our widescreen HDATM provides you with Digital Dolby Surround sound. This equals what you would hear in a movie theater. The sound quality and widescreen HDATM format make the experience even more rewarding. This is banking as you have never seen it before.

Part of an ongoing conversation with Gardner Post.

created 12/16/06

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